Hispanics Archives - Pavement Pieces https://pavementpieces.com/tag/hispanics/ From New York to the Nation Thu, 04 Oct 2018 15:57:57 +0000 en-US hourly 1 East Harlem businesses preserve culture through Mexican Independence Day festival https://pavementpieces.com/east-harlem-businesses-preserve-culture-through-mexican-independence-day-festival/ https://pavementpieces.com/east-harlem-businesses-preserve-culture-through-mexican-independence-day-festival/#respond Sun, 17 Sep 2017 13:33:57 +0000 https://pavementpieces.com/?p=16913 Like the business owners around him, Cano celebrates Mexican Independence day as a means of staying connected to his culture.

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Artist Daniel Valle poses with one of his handmade masks — a papier mache devil, at the Mexican Independence Day festival in East Harlem yesterday. Photo by Amy Zahn

A blue Mexican wrestler mask swung in the breeze, gently knocking against a brightly painted sugar skull.

Daniel Valle laughed. “This one’s really solid,” he said.

He took the yellow and green skull down from the string that suspended it from the top of his tent. It was just papier mache, but it still produced an audible “thunk” when Valle rapped it on its head.

Valle had just finished setting up a tent full of his handmade masks at a Mexican Independence Day festival in East Harlem yesterday. For local businesses like Valle’s, the festival was about more than honoring the day that Mexico wrested out of Spain’s control over 200 years ago. It gave them the chance to work their missions — connecting with local communities and preserving the culture of their homelands.

“I’m trying to rescue all these Mexican gods,” Valle said, gesturing to his masks. Hanging next to the skull and the wrestler, or luchador, was a mask of Huitzilopochtli, the Aztec god of war, and another luchador, this one silver.

Valle’s work is expensive, but it’s intricate, too. One mask can take months to finish, and each is handmade entirely by him. The sugar skull goes for $800. Valle’s work usually hangs in restaurants and galleries, but he came to the festival today to make contact with local communities.

“This is the only chance I get to talk to the people, to see what they like,” he said.

People milled in and out of Valle’s tent, sipping ice cold horchata, a sweet Mexican rice drink. It was only 80 degrees out, but the humidity made it feel hotter.

“Es un dia para celebrar,” or, “It’s a day to celebrate,” said festival-goer Rodrigo Cano as he perused the vendors lining the streets, many of them selling handmade goods like Valle’s. Cano came to the United States from Mexico six years ago, but he still peppers his speech with Spanish phrases.

Like the business owners around him, Cano celebrates Mexican Independence day as a means of staying connected to his culture.

“It’s to don’t forget our tradition, where we come from, especially when you are outside your country,” he said.

Local shopowner Carmelo Reyes stands with his drink cart at a Mexican Independence Day festival in East Harlem yesterday. Photo by Amy Zahn

Just across the street from Valle’s tent is the small, locally owned Agave Deli and Grocery. Owner and longtime East Harlem resident Carmelo Reyes ladled sweet beverages into plastic cups before handing them to customers. Aguas frescas, light fruit drinks, are his specialty — jamaica, horchata and mangonada, a drink made with mango and lime. He learned to make these refreshments working in a restaurant in the 1980s.

Reyes stopped ladling horchata to talk.

“Some people don’t have papers,” he said. He opened El Agave on 116th Street in East Harlem to serve the largely Hispanic community in the area. “They’re afraid to come out on the streets because they think they’re going to deport them.” He hopes events like the Independence Day festival help people feel more comfortable in their communities.

Valle chatted with fellow vendor Antonio Rojas during a lull in business. Much like Valle, Rojas came to the festival to show his handmade art and to do his part to keep traditional Mexican culture alive with figures inspired by Mayan, Aztec and Toltec culture.

“It’s to try to make alive our past, our ancestors,” he said. “It’s important because with the passing of the years, a lot of stuff has been lost.” Rojas makes a mold for each piece, which can take over a month to complete.

“Every single one of them has a different meaning,” he said, showing off intricately carved Aztec and Mayan calendars. The calendars laid next to skulls and a Pyramid of Kukulkan, a well-known landmark from Chichen Itza in the Mexican state of Yucatan.

Just feet away sat Valle and his masks.

“Don’t let it die, all this culture,” Valle said.

 

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El Taller Latino-Americano faces eviction https://pavementpieces.com/el-taller-latino-americano-faces-eviction/ https://pavementpieces.com/el-taller-latino-americano-faces-eviction/#respond Tue, 15 Oct 2013 13:23:59 +0000 https://pavementpieces.com/?p=12436 With rising rents, the cultural center is about to be driven out of the area.

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by Nidhi Prakash

It’s not quite an art gallery, not quite a language school, and not quite a music venue.

But El Taller Latino-Americano is a little bit of all those things, and most of all it has become a cultural institution on the Upper West Side over the last two decades. With rising rents, it’s about to be driven out of the area.

“Despite the fact that we are a not-for-profit educational organization, the rent which we engage in with the landlord is commercial,” said Bernardo Palombo, a founder of El Taller.

It’s expected to rise from $8000to $22,000 per month next year.

“What for us is human space is for others mathematics and numbers,” said Palombo.

This is not the first time Manhattan’s property market has forced them to move.

El Taller: language, culture and community on 104th Street from Pavement Pieces on Vimeo.

They started out on 19th Street and 7th Avenue almost 35 years ago, before moving a little further uptown, then across to the basement of a Russian cathedral in the Lower East Side. They’ve been in their current space on 104th Street and Broadway for the last 22 years.

“Now we are here, and probably next year we will be in Canada, because the whole history of gentrification pushes people to el norte, so we are going to el norte again,” said Palombo.

He has a plan for El Taller – to develop an urban garden, community kitchen, centre for immigrants’ rights and a three-penny university – if he can find a way to stay in the building.

The three-penny university would include workshops from current and former Columbia University professors and community members.

“Dona Maria, a Puerto Rican woman who lives next to my house, will teach handy 22 point crochet,” said Palombo, “And the younger characters that are selling drugs in the avenue will teach texting to the old farts like me.”

El Taller has submitted the proposal to two different arts foundations, suggesting they buy the building and help expand the organization.

But if the rent rises as expected, it is likely Palombo and El Taller will have to find a new home for these big ideas to unfold.

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GOP Primary: “DREAMers” mobilize Latino vote https://pavementpieces.com/gop-primary-dreamers-mobilize-latino-vote/ https://pavementpieces.com/gop-primary-dreamers-mobilize-latino-vote/#respond Wed, 25 Apr 2012 03:26:09 +0000 https://pavementpieces.com/?p=9252 Latinos launched “Su Voz, Mi Voto” campaign to get voters to the polls.

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